Chris Perry, Author

Tag: Imperial court Japan

  • Heian IV – The Fujiwara & The beginning of the end.

    The formation of the Heian Court was not the story of one family (the Imperial family) asserting its dominance over everyone else. Instead, the Court was made up of several clans, who rose and fell according to the vagaries of fate. You may recall that when the Yamato brought the idea of “Emperor” over from China, they switched the concept of a Mandate of Heaven with that of a literal Son of Heaven. This had the double effect of meaning that the Emperor’s rule was now divinely ordained (handy), and he couldn’t be overthrown and replaced by a new dynasty, as happened relatively frequently in China.

    Since the noble families couldn’t take the throne itself, it was controlling the man (or woman) sitting on it that became their objective. There were usually several powerful families at a time, and their rivalries often turned violent, with plots, counter-plots, rebellions, coups, and assassinations all part of the early Imperial political landscape.

    By the mid-7th Century, the dominant family were the Soga. Their path to power was fairly typical of the time. Daughters of the clan were married to sons of the Imperial family, and more than one Emperor had a Soga mother. Through these close family ties, the Soga Clan rose to an almost insurmountable position of influence, but it didn’t last.

    In 645, during the Isshi Incident, the head of the Soga Clan was quite literally cut off. One of the conspirators was Nakatomi no Kamatari, a close friend of Prince Naka no Oe, who would eventually become Emperor Tenji.

    Kamatari would use his close relationship with the future Emperor to amass enormous wealth and influence, and shortly before he died, the newly enthroned Tenji bestowed a new family name on him, Fujiwara, and thus, one of the most influential families in Japanese history got its name.

    Fujiwara no Kamatari, the founder of the Fujiwara Clan.

    The Fujiwara

    The exact origins of the Fujiwara Clan are unclear, but they were originally known as the Nakatomi and claimed descent from the God Ame-no-Koyane, giving them divine origins, although, importantly, of a lesser rank than the Imperial Line.

    The Nakatomi appear to have been largely responsible for religious ceremonies in the early Yamato Court, but after the Isshi Incident, the renamed Fujiwara gradually adopted the same position that the Soga had before them.

    It was the second head of the clan, Fuhito, who really laid the groundwork for Fujiwara dominance, though. Already the scion of a prominent house, he made one daughter the consort of Emperor Monmu and the other the consort of the next Emperor, Shomu. And no, you’re not imagining it; that second daughter would have been Emperor Shomu’s half-aunt. I guess it was ok because both women had different mothers? Maybe?

    Consanguinity notwithstanding, Empress Komyo, as she became known later, was significant; not only was she Fujiwara, but she was the first Empress who was not an offspring of the Imperial house.

    Fuhito would further expand his family’s dominance by having four sons, who would go on to each head a cadet branch of the Fujiwara. When we speak of the “Fujiwara”, we’re actually going to be talking about these four houses. To keep things simple, I’ll just refer to them as “Fujiwara” unless it’s important to make the distinction, but for reference, the four cadet branches were:

    The Kyoke Fujiwara (Capital Fujiwara)
    The Shikike Fujiwara (Ceremonial Fujiwara)
    The Hokke Fujiwara (Northern Fujiwara)
    The Nanke Fujiwara (Southern Fujiwara)

    These four houses would work together, and sometimes in opposition to each other, and the Northern and Southern Fujiwara would eventually split into even more Noble Houses that would continue to influence Japanese politics into the modern era, but more on that later.

    With their power secured by sometimes incestuous marriage, the Fujiwara moved into position to dominate the throne. By the end of the 10th Century, Fujiwara control of the position of regent had become effectively hereditary, and through other advantageous marriages, Fujiwara influence was felt in the provinces too, with lower-ranking members of the main families taking up positions as administrators and local governors (that will become really important later.)

    The Fujiwara wouldn’t have it all their own way. There were several rival families, the most powerful being the Taira and Minamoto, both descended from sons and grandsons of Emperors, and who will get their own post later. There was also the issue of relatively strong Emperors. Political control of the throne depended on controlling the man sitting on it. Some Emperors, like Daigo, who reigned from 897 to 930, proved to be more than a match for the Fujiwara and retained significant control for themselves.

    Despite this, Daigo had Fujiwara consorts, and the clan itself would retain its positions at court. When Daigo died in 930, it wasn’t long before things were back to normal, as far as the Fujiwara and their dominance at court was concerned.

    In 986, Emperor Kazan was pressured by Fujiwara no Kaneie into abdicating under somewhat dubious circumstances. The story goes that Kaneie convinced Kazan to become a monk alongside his son Fujiwara no Michikane. However, when Kazan entered the temple, Michikane said he would like to visit his family one more time before taking the tonsure. Kazan agreed and became a monk while he waited, but Michikane never came back, which is a ballsy move.

    Fujiwara dominance reached its peak in the late 10th and early 11th century under Fujiwara no Michinaga. Michinaga was the third son of Fujiwara no Kaneie, who was succeeded by his son, Michitaka, and then his second son, Michikane, who was regent for only a week before dying; maybe karma for that stunt with former Emperor Kazan?

    A later illustration of Fujiwara no Michinaga.

    Michikane’s son, Korechika, had been named heir to the position of regent, but he was opposed by Michinaga and his supporters. Michinaga was already a man of considerable influence and was favoured by the infant Emperor Ichijo’s mother, who happened to be Michinaga’s sister.

    Michinaga is said to have played on Korechika’s bad relationship with Emperor Kazan and played a ruse that convinced Korechika that Kazan had been visiting the same mistress as him. The story goes that an enraged Korechika then attempted to shoot Kazan with an arrow, which passed through the former Emperor’s sleeve before the man himself fled.

    Korechika was arrested, and though the blame for the attempted shooting fell on servants, he was convicted of having placed a curse on Senshi, Michinaga’s sister and primary supporter. Korechika was exiled to Dazaifu in modern-day Fukuoka, and even though he was pardoned less than a year later and returned to a position in government, his influence was broken, and he was no longer a rival to Michinaga.

    Though Michinaga never officially took the title of regent (Kampaku), his position in the government and influence over successive Emperors meant that he effectively ruled the country in all but name. He continued the policy of marrying his daughters to Emperors and the sons of Emperors, and in 1016, he forced Emperor Sanjo (his nephew and son-in-law) to abdicate in favour of his grandson, Go-Ichijo.

    Michinaga also made an alliance with the Minamoto Clan and made use of the brothers Yorinobu and Yorimitsu as his chief enforcers, particularly in eastern Japan. Under the pair, the Minamoto would deal with enemies of the court (which meant enemies of the Fujiwara) and were rewarded with significant lands of their own, which would eventually lead to the creation of a Minamoto power base far from Imperial control, but more on that later.

    Michinaga would be succeeded by his son, Yorimichi, in 1019, and though they didn’t know it at the time, the Fujiwara were in decline from then on.

    Rise of the Samurai

    As we’ve talked about previously, until the late 8th Century, the Imperial court relied on a system of conscription in order to supply its army with manpower. By the dawn of the 9th Century, however, that system had almost entirely broken down and been gradually replaced with private armies under the control of regional landowners.

    The loss of military power went hand in hand with a decline in economic resources as well. Under the Taika reforms, the land had all technically belonged to the Emperor and was held in his name in return for a percentage of the harvest as tax.

    By the Heian period, however, that system had broken down to. Noble families and powerful temples were able to negotiate tax exemptions for themselves, and local peasants came to avoid tax (and the attached military service) by signing their lands over the local lord in exchange for protection and potentially a better deal tax-wise.

    The private armies that sprung up in the wake of this Imperial decline were made up of men who either had land of their own or else were rewarded with it. These men used their resources to purchase horses, training, and weapons (mostly bows at this point), clearly setting themselves apart from the poorly armed masses of peasant conscripts that had come before.

    We’ve spoken about how families like the Fujiwara would marry into the Imperial line in order to enhance their own prestige and influence, and these newly minted provincial elites would adopt the same strategy on a more local scale.

    The Fujiwara, Minamoto, and Taira families had, by the 11th Century, grown into sprawling clans that would require several dedicated posts to make sense of, but the short version is that most of the members of these clans weren’t the ones playing Game of Thrones in Heian-Kyo. They were dispatched to the provinces by their families to take up positions as governors and other administrators and spread their respective clan’s influence.

    These new administrators may not have had the wealth of their capital-based cousins, but they still carried the illustrious names, and marrying into these families would, in turn, bestow aristocratic status. These new nobles, born far from the throne, had little reason to be loyal to it.

    Initially, military service was on an ‘as needed’ basis, but by the end of the 10th century, as family ties to local districts deepened, the status of this new warrior class would become hereditary. These warriors were not called Samurai at first; the proper term was Bushi (which literally means Warrior), and their families became Buke or warrior families.

    The modern word Bushi is generally applied to all warriors, but it originally applied specifically to men for whom war was their profession, especially those who possessed the expensive armour, weapons, and horse required, meaning the business of making war became limited to a specific class.

    Despite being known for their famous swords, the earliest Samurai were more associated with bows and horse archery.

    By the 10th and 11th Century, the threat of the Emishi had long since passed, and now the powerful regional nobility found themselves with large private armies with no external enemies to fight. So, they asked themselves, what next?

    Luckily for them, population growth and diminishing resources gave them the perfect excuse to start fighting amongst themselves. Outbreaks of violence became common, and the Imperial court proved to be incapable of putting a stop to it.

    Finding that they could attack their neighbours without any kind of consequences meant that the tenuous loyalty of the regional nobility became no loyalty at all. By the mid-11th Century, even the illusion of Imperial authority was fading, and the Fujiwara, who had seemed unassailable a generation earlier, began to feel the walls closing in.

    Sources
    https://en.wikipedia.org/wiki/Heian_period
    https://en.wikipedia.org/wiki/Fujiwara_no_Kamatari
    https://en.wikipedia.org/wiki/Fujiwara_clan
    https://en.wikipedia.org/wiki/Fujiwara_no_Michinaga
    https://ja.wikipedia.org/wiki/%E8%97%A4%E5%8E%9F%E5%AC%89%E5%AD%90
    https://ja.wikipedia.org/wiki/%E8%97%A4%E5%8E%9F%E9%81%93%E9%95%B7#%E5%9B%BD%E5%AE%9D%E3%83%BB%E5%BE%A1%E5%A0%82%E9%96%A2%E7%99%BD%E8%A8%98
    https://ja.wikipedia.org/wiki/%E8%97%A4%E5%8E%9F%E9%81%93%E9%95%B7
    https://en.wikipedia.org/wiki/Emperor_Kazan
    https://ja.wikipedia.org/wiki/%E4%BE%8D

  • Heian III – Life, Literature, and Ludicrous Eyebrows

    So, in our last two looks at Heian Japan, we discussed the decline of Imperial power in the provinces, as the regional nobility gained control of the military and then economic power, leaving the Imperial court effectively impotent.

    So, what was actually going on at court while the power was slipping away? Well, what usually happens when you have an isolated mini-community of hyper-privileged, completely out of touch, trust fund babies?

    While trust funds obviously didn’t exist in 9th-century Japan, generational wealth absolutely did. The nobility at court was mostly made up of the descendants of the original Yamato families, those who had been the first to come to power in the area around modern Nara.

    After the capital moved permanently to Heian-kyo, the noble families moved permanently, too. Some of these families had direct connections to the Imperial Family itself (real or fictional), which created a fairly insular community of people who busied themselves with court life at the expense of the rest of the nation.

    We’ve already discussed the consequences of that, so we’re not going to focus too much on military or economic decline today, but needless to say, by the mid to late Heian Period, the court was completely out of touch with what was going on in the provinces, which eventually led to disaster.

    Religion

    Buddhism arrived in Japan in the 7th Century, brought in by Chinese and Korean scholars. Like most things imported at that time, Buddhism was largely just a copy of how things were done in China. However, by the Heian Period, a distinct “Japanese” culture was beginning to develop that had an impact on religion too.

    Two influential sects emerged around this time, Tendai and Shingon. Though founded by monks who had visited China, both branches integrated aspects of traditional Japanese religion into their philosophy. By the mid-Heian period, these sects had become politically influential, particularly the Tendai Sect, based at Mt Hiei, just outside Heian-kyo. There, monks were trained for up to 12 years, with the most promising being retained by the order and others taking up positions in the government, blurring the lines between religious and political power.

    On a cultural level, Buddhism played a role not too dissimilar to that of the Catholic Church in Europe. Fantastic temples were constructed, and art, both in the form of painting and sculpture, flourished, sponsored by courtiers looking to curry favour with the increasingly powerful priesthood.

    The Great Lecture Hall at Enryaku-ji, the headquarters of the Tendai Sect. Though this building dates from the 17th Century, it gives some idea of the splendour that the Buddhist sects were capable of.By 663highland – Own work, CC BY 2.5, https://commons.wikimedia.org/w/index.php?curid=8450046

    The Imperial Family and the aristocracy became tightly linked to the Buddhist Sects, with members of noble families often becoming high-ranking members of religious orders, and in turn, Monks, Priests, and Abbots became influential within the government. It is perhaps unsurprising, then, with the two sides so closely linked, that the temples would often preach in support of the Emperor and the status quo.

    Over time, Buddhist Temples would become powerful political players in their own right, and their close association with the Imperial Court led to the image of Buddhism, or at least the organised Buddhist sects to be the religion of the aristocracy, whilst out in the provinces, more traditional Japanese beliefs held sway, further deepening the divide between the Emperor and his people.

    A Novel Idea

    Prior to the Heian Period, writing had been the preserve of noblemen and educated priests. The complex Chinese symbols (Kanji) took years to learn, and most people didn’t have access to education anyway. That began to change during this period. Firstly, the rise of wealthy, and more importantly, large temples, increased the number of people (men) with access to learning. Though still limited, these men would become a key part of the Imperial Bureaucracy.

    The real trailblazers of Heian Literature weren’t priests and nobles, however, but women. As anyone who has ever tried to learn Japanese can tell you, Kanji are awful. There’s about six million of them, and they all have different pronunciations depend on context, mood, or the position of the stars, or something. The point is, Kanji are hard to learn now, and they were hard to learn back then, too, more so given how few people even had access to a textbook, let alone DuoLingo.

    Fortunately, Kanji aren’t the only option when it comes to writing Japanese. Early on, Japanese scholars developed kana, a native script that made it easier to translate certain things into Japanese. As we’ve said, Kanji are hard enough to learn even with dedicated study, and given that women didn’t have dedicated study, the kana (divided into Hiragana and Katakana) were adopted instead.

    Like most places before the 20th century, literacy in Heian Japan was extremely limited. Whilst this obviously meant there wasn’t a wide audience for poems and stories and such, it did lead to a highly specialised type of ‘courtly’ writing. Poetry, in particular, was a mark of good breeding, as was the quality of your handwriting.

    This probably shouldn’t come as a surprise to us; after all, how often do we see politicians and celebrities mocked for their poor spelling and grammar? And don’t get me started on handwriting. Mine is ok now, in my mid-30s, but you’d have needed a scholar of ancient languages to decipher my writing when I was at school.

    I digress; poetry and handwriting were important, is the point.

    Poetry was probably the most common form of literature at the time. Poems would be written for all sorts of occasions, and it was said that a person’s poetry skills could make or break their reputation, which seems a bit extreme, but there you are.

    Poetry was not the only form of literature available to the Heian Court. Stories in a form we would recognise as novels also appeared at this time, perhaps most famously the Tale of Genji, written sometime in the early 11th Century and attributed to Murasaki Shikibu (not her real name), a lady-in-waiting at the court.

    She deserves a post of her own, but the short version is that she is generally accepted as the author of the story, although some scholars also suggest that the last ten chapters or so were written by someone else, possibly her daughter.

    A 17th-century depiction of Murasaki Shikibu writing the Tale of Genji. Though scholars agree she is the author, there is some debate about the last few chapters.

    Heian Period literature can be a bit impenetrable by today’s standards; courtly culture at the time placed grade emphasis on innuendo, allusion, and almost obtuse vagueness. A great example of this is the fact that the Tale of Genji rarely, if ever, refers to characters by name. Although scholars agree that most of the characters are probably based on real people, it would have been unthinkable for a writer at the time to do something as crass as using a person’s name, even in fiction.

    This, and a highly stylised form of writing, means that works like the Tale are often viewed by modern Japanese in the same way that a modern English-speaking person might see the works of Shakespeare, something that is fundamentally intelligible but is full of language that has long since fallen out of use, leaving us with metaphors that are open to interpretation, to say the least.

    12 Layers

    Fashion and Beauty were as central to the Heian Court as they are to the rich and famous today. Whilst at its core, fashion was about showing off wealth and status (as it is today), the Heian Court had some very unique ideas about what constituted beauty.

    First, the clothes. Now, I’m no one’s idea of fashionable, I dress practically and comfortably. This is probably true of most people and has been for as long as we’ve had clothes. High fashion, however, isn’t about being practical or even comfortable, apparently, and the Heian Court is a great example of this.

    Men and Women were expected to dress differently but with equal flamboyance and impracticality. For men, there were the Sokutai and Ikan, outfits made up of multiple layers that would vary depending on rank, season, and occupation. For example, military officials would dress differently to civilian ones, and versions with fewer layers and shorter sleeves would be worn during the summer months and visa versa.

    Formal wear of a Heian Period military official, photographed in 1990, at the Enthronement Ceremony of Emperor Akihito.
    首相官邸 – https://www.kantei.go.jp/jp/singi/gishikitou_iinkai/dai6/siryou1-1.pdf, CC 表示 4.0, https://commons.wikimedia.org/w/index.php?curid=80965200による

    Generally, Sokutai was the more formal wear, and Ikan was more of a “work” uniform for courtly officials, although the distinction is not always a clear one, as both sets of clothing were highly elaborate by today’s standards.

    Marquis Yoshimaro Yamashina, photographed in 1920, wearing the Ikan style of dress.

    Despite its flamboyance, Sokutai is still seen in Japan today. Whilst you’re not likely to catch the average Salaryman wearing it on the morning commute, the Imperial Family still wear it, although usually only at ceremonial functions, like Coronations and Royal Weddings.

    The current Emperor, Naruhito, wearing Sokutai at his enthronement ceremony in 2019.
    By 内閣府ホームページ, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=89645372

    Sokutai and Ikan are heavy, impractical clothing options, but that’s kind of the point. Wearing a metric tonne of silk and ornaments is a great way to demonstrate that you’re a world apart from the peasantry who are, by the nature of their lives, required to wear cheaper, more practical and (I suspect) more comfortable clothing.

    It was worse for women (surprise, surprise). Whilst male clothing was cumbersome, there were certain practical considerations. Men at the court were generally expected to have some kind of job, which limited how impractical their clothing could be. Court Women, however, unburdened by the expectation of actually doing anything, were consequently expected to dress accordingly.

    Introducing the Junihitoe, or Twelve-Layer Robe. Yeah, the name isn’t a red herring; while it is true that there may not have been exactly Twelve Layers, the complexity of the Junihitoe was matched only by the need for appropriate colour coordination.

    Heian Court Ladies wearing Junihitoe in a later illustration.

    The sheer weight of a Junihitoe ensemble is reflective of attitudes towards women at the time. They weren’t expected to do very much except sit around, being attractive and writing poetry. If you think I’m over-generalising, consider that the full weight of all the robes together could be upwards of 20kgs (44lbs) at a time and place where most people averaged about 5ft tall (152.4cm) and rarely weighed in at heavier than 50 kgs (110lbs). Heian Court Ladies could find themselves wearing half their own body weight in silk and accessories. If you can still manage to look pretty under all that, then you’re a better man than me. Or a better Heian Court Lady, but you get the idea.

    If the weight of all that fanciness wasn’t bad enough, fashion dictated that the multiple layers be colour-coordinated according to the season or to other special events. These colours were meant to match the “spirit” of the season, leaning into the Heian Court’s love of symbolism, metaphor, and fancy nonsense.

    The layers were supposed to compliment each other, but given the nature of clothing at court, the layers themselves were generally only visible at the sleeves. This might raise the question, why go to all that trouble for multi-coloured sleeves? But when they were done with all that poetry and story writing, what else was there to do but coordinate your sleeves?

    It’s all in the eyebrows

    So, we’ve already established that Men and Women at the Heian Court were religious, literate, and dressed to impress, but what did they actually look like? More accurately, what did they aspire to look like?

    Even today, beauty standards are more about what people think they should look like rather than what they do, and in the era before photographs, most art presented a highly stylised idea of what people actually looked like. (Yes, we still do that with Photoshop, I know.)

    Much like the beauty of someone’s handwriting and the sheer weight of silk they could handle, someone’s beauty informed what kind of person they were. Basically, being pretty meant you were a good person, but what did being ‘pretty’ actually mean?

    As you can see in the images above, women grew their hair long and typically kept it loose, with dark, shiny hair being preferred. Men, on the other hand, wore their hair up and sported thin moustaches and beards.

    A later illustration of a Heian Period court official.

    Well, both genders seem to have made use of make-up, usually in the form of skin-whitening powders. This is something that’s come up pretty frequently throughout history: paler skin typically suggests that a person doesn’t spend much time outside. In the pre-modern era, a tan meant working outside, which meant you were a commoner, and if there was one thing the people at the Heian Court would not stand for, is was being thought of as common.

    In addition to whitening powders, women also painted their mouths to look red and small. They also practised a grooming technique called Hikimayu in which the eyebrows were shaved and then drawn way up the forehead, and it’s quite the look.

    An 1850 photograph of Mikako Tokugawa, wife of the last Shogun, showing Hikimayu in all its glory.

    If shaved eyebrows aren’t your thing, how about blackened teeth? Don’t worry, they’re not rotting. Actually, some people speculate that the teeth blackening (Ohaguro) actually contributed to healthy teeth by acting as a kind of sealant, so beauty aside, there’s that.

    The exact reasons for the start of Ohaguro aren’t clear, but one theory holds that, in combination with the whitening powder, painted mouths, and shaved eyebrows, blackened teeth contributed to a “mask-like” appearance that made it easier to hide emotion.

    Heian style fashion would remain in vogue at court for centuries (as seen by traditional dress at Imperial Family events), and this was partly due to the increasing and eventual near total isolation of the Imperial Court in the years that followed the Heian Period.

    We’ve discussed how the rot set in previously, but there is one family who might be more to blame than any other, the Fujiwara, who we’ll talk about next time.

    Sources
    https://en.wikipedia.org/wiki/J%C5%ABnihitoe
    https://ja.wikipedia.org/wiki/%E8%89%B2%E7%9B%AE
    https://ja.wikipedia.org/wiki/%E8%A5%B2%E3%81%AE%E8%89%B2%E7%9B%AE
    https://en.wikipedia.org/wiki/Hikimayu
    https://ja.wikipedia.org/wiki/%E8%A1%A3%E5%86%A0
    https://ja.wikipedia.org/wiki/%E5%AE%BF%E7%9B%B4
    https://en.wikipedia.org/wiki/Enryaku-ji
    https://en.wikipedia.org/wiki/Ohaguro